Alexander Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith Papers, Alderman Library, University of Virginia.
Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.
Ibid.
Mackay-Smith to Tuttle, 16 July 1948.
Both th music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's "Thomas Jefferson, Gentleman Musician" (M.A. thesis, University of Virginia, 1967). Nolan's transcription of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University of Press of Virginia, 1974), pp. 97-104.
Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson, edited by Julian Boyden, v. 2 (Princeton: Princeton University Press, 1950), p. 196.
Princeton: Princeton University Press, 1949.
See Ronald B. McKerrow, An Introduction to Bibliography (Oxford: Clarendon Press, 1927), pp. 164-174.
D.W. Krummel, "Oblong Format in Early Music Books," The Library, 5th series, 26 (1971), pp. 312-324.
As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ("Bibliography of Music," The New Grove, v. 2, p. 683) "and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work." ("Musical Functions and Bibliographical Forms," The Library, 5th series, 31 [1976], p. 337).
Compiled by D.W. Krummel (Hackensack, N.J.: Joseph Boonin, 1974).
