ASE'S RECRUITED


TRAUTMAN AND THOMPSON had come up with an ideal design for the ASE project, but the operation could only proceed with the full support of publishers. In the beginning of 1943, the Council on the Books in Wartime, which agreed to organize and operate the project, faced the formidable task of mobilizing the entire American book industry in favor of the project. In order to do so, the Council drew up a set of guidelines that publishers, authors, booksellers, and librarians could agree upon.

The Council determined that royalties of 1¢ split between publisher and author would be paid for each book produced--not a bad sum for press runs exceeding a hundred thousand copies. Thirty books would be selected by an advisory committee each month and reprinted as ASE editions (the number was later expanded, first to 32 and finally, to 40). The books would be distributed gratis to Armed Services personnel. The selections would not only include a preponderance of current publications and books of widespread popular appeal, but would also include a number of titles that catered to less general audiences.

An unpaid advisory committee drew up a list of potential ASE selections that was then sent to Army and Navy offices for approval. Although the committee consciously strove to select titles that would appeal to a general audience, the wide breadth of genres encompassed is a remarkable one. Titles ranged from Faulkner and Margaret Mead to the latest in science fiction and murder mystery. In the end, 1,322 ASE titles were printed, published, and distributed.

This table (based on information provided in John Jamieson's Books for the Army [NY 1950] pp. 152-153) suggests the enormous diversity of the final selections.